University courses

2016/2017 (MA Media Art Histories and MA Media Art Cultures, University of Danube)

  • Media of self-representation (mp3 files)
  • Surveillance technologies and contemporary arts (mp3 files)
  • Methodologies of interpretation in Media Arts

    2015/2016 (MA Media Art Histories, University of Danube)

  • Methodologies of interpretation in Media Art
  • Conservation and restauration in Media Arts

    2014 (Fine arts Academy, University of Split)

  • History and theory of film and video art

    2008-2014 (MA Media Art Histories, University of Danube)

  • Politics of art and technology

    2009/2010 (Rochester Institute of Technology - ACMT)

  • Introduction to Philosophy

    Courses 2007-2010 (Cultural Studies, University of Rijeka)

  • Visual Culture
  • Systems of Propaganda in Media
  • Media arts

    Courses 2005-2017 (Fine Ars Academy, Unversity of Split)

  • Art in the XIX century
  • Art in the XIX and XX century

    Conferences

    Online histories of experimental film and video art, AVPC, Zagreb, 2016, 18-19-06.2016.

    From Antropological to Ethnological in Photographic Interpretation. FASCE, Institut za povijest umjetnosti, Zagreb, 24.-25.9.2015.

    Private photo-archives as settlements against censorship, Changing Conditions and Relationships. Private photos as a source of Central European History 1944-1960, German Institute in Warsaw, Warsaw, Part IV. 29-30.10.2015.

    Sunset from Where? Genuine Tourist imagery on Social Media Platforms. Portable Landscape Conference - Envoronments on the move, University of Durham, Durham, 9-10.6.2015.

    Engineering Art. Prescriptive Censorship and Funding Pamphletism, Before numbers, 7th CEI Venice Forum of Contemporary Art Curators, Ca'Resonico, Venice, 8.5.2015.

    Smuggling in Arts and Culture. Smuggling Anthologies. Trieste Contemporanea. Museo Revoltella, Trieste, 7. 11.2014. (see video)

    Fotografije bez anotacija, Nevjerodostojni dokumenti Intermedijalni prostori W.G. Sebalda, Muzej Suvremene Umjetnosti, Zagreb. 13.12.2013.

    Massive Spamming, Ideja radikalnih medija, Mi2, Zagreb, 6.-7.6.2013

    When Censorship Matters': P2P Movie Databases as Model of Preservation of Non-commercial and Experimental Narratives', Multimedia Database as Narrative Mechanism, University of Thessaly, Volos, 12.-17.4. 2013.

    Glass negatives and their paper positives, 4th Int. Conference in Restauration and Conservation in Digital Printing and Digital Photography, Institute of Physics, London, 27.-28. 5. 2010.

    Simptomi žrtve, Extravagant mind - Extravagant bodies, Biro suvremene umjetnicke prakse Kontejner, Zagreb, 20-24.10.2010.

    Censored Images: Women in the Army / Comparison of photographs of partisan women by Antonio Perajica and contemporary women-soldiers, Performative Gestures-Political Movements, Mesto Žensk, Slovenska Akademija Znanosti i Umjetnosti (ZRC SAZU), Ljubljana, 19.6.2010.

    Pop Art Add-Ins: od reprodukcije do koda za generiranje Pop-artizma, Splendid Pop, Muzej Moderne i Suvremene Umjetnosti (MMSU) Rijeka, 9.6.2010.;

    Mind the Film 4th. Video Vortex Conference, Institute for Networked Cultures, Amsterdam / Umjetnicka akademija u Splitu, Split, 21.-23. 5. 2009.

    Crveni Peristil ("Red Peristyle"): Disintergration of the Revolution (1968 - 2008) na Art and Resistance Colloquium, The International Alternative Culture Center (IACC), Perpetuum Mobile, Alternative Culture Beyond Borders, OSA Archivum, Budapest and McMaster University, Split, 3.8.2008.

    AVI and DivX art, 3rd. Video Vortex Conference, Institute for Networked Cultures, Amsterdam, 18.19.1.2008.

    War profiteers in art. 2007 Istanbul Forum, Central European Initiatives Forum of Contemporary Art Curators, BM Contemporary Art Center, Minar Sinan University, Istanbul, 22.9.2007.

    Woman at the Crossroad of Ideologies, Outposts 2007, Third CEI Venice Forum of Contemporary Art Curators', UNESCO Bresce, Biennale in Venice 2007, Palazzo Zorzi - UNESCO office in Venice, Venice, 7.-8.6.2007.

    From Malevich to Malevich and back again, ASCA Mini Conference, University of Amsterdam, Amsterdam, 2003.

    On Indifference, inhabiting in-between as a Territory, IAPL Conference : Intermedialities, ERASMUS, University of Rotterdam, Rotterdam, 2002.

    Ontology of the Fake, ASCA Mini Conference, University of Amsterdam, Amsterdam, 2002.

    Sabotaged Narrative, ASCA Mini conference, University of Amsterdam, Amsterdam, 2001.

    Machine - Philosopher. What is the Enlightenment?, Jan Van Eyck Academie, Maastricht, 2000.

    A Place where Everything has a Sense, Understanding the Balkans, CAC-The Contemporary Art Center, Ohrid, 13.-16. 10. 2001.

    Unsubscribe, C-front 2001; Plovdiv, 2001.

    On indifference, C-front 2000; Plovdiv, 2000.

    Public lectures

    Vizualna kultura, Kinoklub Split. 2016.

    Cenzura i krijumcarske strategije u suvremenoj umjetnosti, Muzej Savremene Umetnosti Vojvodine, 6.2.2015 (retrospektiva Apsolutno);

    Mind the Film, Mestni muzej Idrija, 4.11.2014.

    Fotografsko istraživanje, Interfoto, Kampus Sveucilišta u Rijeci, 23.7.2013.

    Tijelo kao medij, DOPUST, Dani otvorenog performancea Split, Kinoteka Zlatna Vrata, 2008.

    Avi and DivX Art, Split Film Festival, Split, 2007.

    Corruption of a Grand Narrative of Art, Was ist Kunst?, retrospektiva Raše Todosijevica, Galerija Sodobne Vmetnosti. Celje, 2004.;

    Machine - Philosopher, ALIAS, Palais des Beaux Arts Brussels, Brussels, Belgija, 2002.

    Anonymous Artist, Nameless Hero, Unknown Histories, Dani Hrvatske Kulture u Berlinu Kroatische Kulturwochen in Deutchland, Berlin, 14.10 - 30.11. 2002.

    Round tables and workshops

    Learning from (2. Dio), Swedish Institute i Moderna Museet, Stockholm, 2007.

    Learning from (1. Dio), Swedish Institute i SC Beograd, Beograd, 2007.

    Art and Education conference. Virtual Conference. Moscow Art Fair, The Central House of Artist, Moskva, 2006.

    Rows-curves-knot, na Oreste. Italian Pavilion, Biennale in Venice, Venice, 10.06 - 07.07 1999.

    Syndicate Network, Zen-Garden, Syndicate workshop, Net_conditions, Center for Media Technologies (ZKM), Karlsruche, 1999.

    Balkania, Temp Media Lab Kiasma, Museum of Contemporary arts, Helsinki, 1999.

    1700+, Umjetnicka akademija u Splitu i Berlache Institut, Amsterdam, 1997.

    Manifesti arhitekture, Društvo arhitekata grada Zagreba (DAZ), Zagreb, 1996.

    Organisation and programing boards

    Media art history : Re:trace 2017, University of Danube, Krems, 2017.

    Leonardo Education Forum, 2006-2014

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